From the beginning Maren Dubnick sensed that her work would criss-cross from the intimate to the public, from the small to the monumental. It started with the Epaississements, the ‘Thickenings’ : objects wrapped and wound in thread in such a way that the vertical axis gradually succumbes to a spindle-shaped form, thickened in the middle with tapered ends. Two primary objects would become the foundations for the road ahead : the safety pin and the column (in a space).
Media Coverage
“God is een DJ, en de kerk staat vol kunst”
— Kunstflaneur
Related exhibition: Canto Ostinato
“Silenced language: between not saying anything and having already said everything”
— Gallery Viewer
Related exhibition: Verstilde Taal
“Na de ‘sprekende’ expo RE-ASSEMBLED kiest Tale Art Gallery voor een ‘stille’ tentoonstelling”
— Kunstpoort
Related exhibition: Verstilde Taal
“The studio of... Merel Van de Casteele”
— Gallery Viewer
Related exhibition: The Surface Holds No Secrets
“A moving dialogue between art, poetry & music that explores the human soul”
— Denderjournaal
Related exhibition: Anima Hominis
“Grenzeloze abstractie: een zoektocht naar het onbegrensde”
— Gallery Viewer
Related exhibition: Grenzeloze Abstractie
